Presto Change-o! A Book of Animal Magic

Presto Change-o!by Édouard Manceau

published March 2014 (tomorrow!) by Twirl Books, distributed in America by Chronicle Books

What a treat to give the new Twirl books a whirl! (They are doing something right when a thirtysomething-ed lady squeals over a box of board books, right?)

This one is perfect for grabby hands and curious minds. Check it out in action.

breakerPresto Change-o!This is a board book that’s been on a steady regimen of spinach and milk. It’s big and beefy. That’s a great thing, because there’s a lot to experience on these pages.

Here’s how it works. The left page shows two seemingly unrelated nouns, loosely connected by a narrative. Sometimes it’s lilting and sometimes a bit labored, but since it’s a translation, all text-clunk is forgiven. Besides, the real treat is in the visual and tactile experience.Presto Change-o!Swinging a shape or two or three around transforms one picture to another. It’s simultaneously simple and sophisticated. And just plain fun to see and do.Presto Change-o!Presto Change-o!Some standard fare lives here: Rabbit, Teapot, Owl. And then there’s Bowl of Salad. Bowl of Salad! Thank goodness for the French. What a delight!Presto Change-o!Presto Change-o!I’m teaching an introductory Photoshop and graphic design class this summer. To 3rd – 6th graders. My brain exploded with ideas for projects when I saw this book. You better believe we will be creating our own Presto Change-os! 

Stay tuned.Presto Change-o!Here’s a bit more about Twirl Books.

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Review copy provided by the publisher.

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Abe Lincoln’s Dream

abeLincolnsDream_coverby Lane Smith

published 2012, by Roaring Brook Press, an imprint of Macmillan

Check out this trailer. It sets up the book’s mood and pace with flawless grace.

breakerLane Smith has done something really special here. It’s an evocative look at a legacy. A look back and a look forward. Steps taken and hope to go.

I love that a curly haired girl with brown skin is his host. Perhaps that was an obvious choice, but I think she’s more than an art direction. Her today is because of his past.

She is his recurring dream that he just can’t shake.DPB_Stack_AbeLincolnsDream1This is history and beauty, wrapped up in the whimsy that only Lane Smith can do. His textures add life to an already rich history. They are layers, individual parts to a whole life and a whole story.

Roses and lightning and cherry blossom branches frame panels of their journey. Different type for her thoughts and his. Different times, balanced and bridged. Lane Smith’s art is restrained and curious and playful all at once. DPB_Stack_AbeLincolnsDream2 I can’t think of another storyteller who could handle this story with greater elegance. Art that both delights and informs, and words that are both playful and serious in tone. A masterpiece!

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The Tiny King

The Tiny King by Taro Muiraby Taro Miura

first U.S. edition published 2013, by Candlewick Press

Here’s a sweet and funny story. Candlewick sent me a review copy of The Tiny King in the waning weeks of 2013. My eye was already eager for it thanks to this Calling Caldecott post about international illustrators, so it was a bit of postal perfection. (Speaking of, are you counting down the days to January 27th?)

And then for Christmas, my mom sent me a spectacular selection of picture books – including The Tiny King! She always says I’m tough to buy books for, like “purchasing jewelry for a jeweler.” Maybe that’s true, but I think she did a pretty darn good job. (The others were a Poky Little Puppy Christmas edition and an autographed Jon Scieszka, so. And all came from bbgb in Richmond, VA. Shop indie!)

There’s no moral to this story. Just an extra copy of The Tiny King for you! Stay tuned for how to snag it.

So, this book. It’s this crazy mashup of charming fairy tale and quirky collage. The result is exquisite and mesmerizing, and you get a taste of that from the cover alone.

A sword-gripping hand is strong and fierce but nothing more than a circle. His distinguished white hairdo dripping out from under his crown – a small stack of white, curved lines. A leg made up of newsprint, which on careful inspection is a snippet of the tiny King’s wedding announcement. Foreshadowing. Spoiler. Clever and adorable.

Did you see the mini-note at the bottom of the cover, too? (This is the actual size of the Tiny King.) What a little delight!DPB_Stack_TheTinyKingNow that you’ve met him on the cover where you’ve seen him smash end to end, flip open to the first page and see that stature in context. This split in scale made me laugh out loud and drop my jaw. It’s so stunning, and so easy to fall in love with this little dude – small and alone and swimming in it.

He has a massive colorful castle, an army of tall soldiers with spears, and a feast fit for a bigger king. The spreads that introduce the reader to his lavish and lonely lifestyle are dark and looming, despite his kooky, whimsical posessions.DPB_Stack_TheTinyKing2And then one day, a big princess shows up. The light! The expanse of bright space! The Q on her triangled gown! I went all out gaga and giddy for our tiny hero.

Everything changes in tone and in mood. The story takes place on washes of pink, blue, and yellow. The babies arrive, the soldiers are sent home to their families, and the empty castle is filled up with a bunch of love.DPB_Stack_TheTinyKing3Happily and beautifully ever after.

I’d love to send a copy from my castle to yours. Just comment here by Thursday night at midnight PST. I’ll announce winners for this giveaway (and The Mischievians!) on Friday, and head to the royal post office this weekend.

Good luck!

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Review copy provided by Candlewick Press.

 

 

Leonardo the Terrible Monster

Leonardo the Terrible Monster by Mo WillemsHere’s something.

By Mo Willems. Published 2005, by Hyperion Books for Children. (Which I believe is now Disney-Hyperion.)

An old favorite, a forgotten gem. I was plotting a read-aloud for fourth graders, hunting for a picture book about meanness and bragging and being friends with someone different than you. In true Mo Willems style, this thing jumped right off the shelf when I ran my fingers across the spines. True story.

So I ignored my achy-creaky knees, and hovered over this on the floor of the library. It was one of the last purchases I made for the library before I left Virginia for California, but I haven’t given it two shakes of a nod since.

Not surprisingly, it’s brilliant.

It’s sheer size is in direct opposition to how terrible of a monster Leonardo is. I mean, he’s so big that he can’t even be contained to the cover. All we see is a peek of meek eyes and teensy-tiny horns. But we already know he’s pretty bad at being a monster. That juxtaposition is beyond hilarious, right?Leonardo the Terrible Monster by Mo WillemsSo, he’s terrible. And terribly alone. Look at all of the white space on this spread, highlighting just how terrible and terribly alone Leonardo is. It makes his sad face even more pathetic. Awful. Awesome.Leonardo the Terrible Monster by Mo WillemsLeonardo the Terrible Monster by Mo Willems Leonardo the Terrible Monster by Mo WillemsLeonardo the Terrible Monster by Mo WillemsAdults laugh at him. He doesn’t have Tony’s outrageous stack of teeth. And then there’s Eleanor, whose purple pedicure and anklet only hint at what kind of monstrous mug she may have.Leonardo the Terrible Monster by Mo WillemsBut Leonardo has an idea  – a fantastic, scare-the-tuna-salad-out-of-a-scaredy-cat-kid idea. His plot gives him some bounces of confidence. And there’s less white space. More text, more oomph, more pizzazz from his plan. He’s not so alone.

Enter: Sam.Leonardo the Terrible Monster by Mo WillemsThe reader knows right away that Sam and Leonardo are cut from the same cloth of lonely. Sam has even more nothing around him. Sam isn’t even facing forward. Sam has the saddest pit of despair behind those wire rims.Leonardo the Terrible Monster by Mo WillemsLeonardo the Terrible Monster by Mo WillemsLeonardo the Terrible Monster by Mo WillemsSo when Leonardo blaggle-blaggles, grrrrs, and roooaarrrs, Sam cries.

But. It’s not because he’s scared.Leonardo the Terrible Monster by Mo WillemsNow. Here’s where I did a combo of a laugh/snort/cackle/snot/wimper thing. Sam’s white space is filled to the brim with all of the awful things that were bouncing around under his bowl cut. A mean big brother! A stubbed toe! On the same foot that he hurt last month! Bird poo! A hurt tummy!

All of Sam’s insides just tumble out and stun that gruff old Leonardo. Look at how he’s clutching his chest! Swoon.

That’s why.Leonardo the Terrible Monster by Mo WillemsAnd then – an epic page turn. Leonardo’s smart, caring, friend-brain fills up all of that white space. It’s like the part where the Grinch’s heart grows three sizes. By seeing his whole face, his thought process, and those very un-monster eyes, we watch his heart change. Just like that.Leonardo the Terrible Monster by Mo WillemsLeonardo the Terrible Monster by Mo WillemsThe way Mo Willems uses space and size in this book shows us so much about Leonardo, Sam, and ourselves.

Friends. Flipping you forward since about forever.

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P.S. – For those fourth graders? Ended up going with Each Kindness, which is lovely beyond measure, and the moment was just shy of heart stopping. It was a perfect picture book morning. 

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Line 135

by Germano Zullo and Albertine

{published 2013, by Chronicle Books}I’m in that bleary-eyed, inspired, and terrified post-SCBWI haze. Are you?

That’s why this book is perfect for this time. And isn’t that always why picture books are perfect? There’s something magical about those moments that are captured, when the polaroid’s positive sheet has just pulled away from the negative. That moment, exposed. That’s the one I mean.

The creators of Line 135 also collaborated on Little Bird, which has dinged around in my skull for a long time, but I still have no coherent thoughts on it. It’s that enchanting. And of course, my beloved Sky High, which, just – wow.

The line on which this whole story is hinged? My mother and my grandmother say that I am too small to know the entire world.

So how to fit the entire world in this book? It’s a long rectangle. Intentionally and beautifully so, because unfolding the pages reveals more and more train track. The sense of distance is heightened, much like in Sky High, but along the horizon line this time. We travel with this narrator.The endpapers are bright neon green to match the train, and a wordless spread before the journey shows our narrator with her mother. After the trip? a wordless spread with her grandmother. The journey is bound.Albertine’s line drawings include whimsical details like the poofs of exhaust plumes on a highway maze of cars, or weeds growing straight up through the hole in a discarded tire. Always, always speeding forward? That sleek and vibrant train, holding that also vibrant little girl and her wisdom. I love that her capsule is holding all of the color. The black and whites are striking, but her trip (and her truth) stands out.And as the train moves forward, as the narrator grows in confidence and gumption, the illustrations get more fantastic. Gone are the looming skyscrapers of the city, welcome are the sandcastles with turrets and spiral staircases. Isn’t that beautiful? As she becomes more dogged in her determination, her surroundings are less real, less sad, and less intimidating.

Go get this one. Ride a train. Read an adventure. Get swept up in the trip.

chMoreToReadI wrote a thing about my favorite middle grade novels over at Design Mom this week. Did I get your favorites?

LeoGeo

Leo Geo And His Miraculous Journey Through The Center Of The Earth

Hello and happy 2013 and welcome back to this little corner of the internet!

And a huge hello to those of you who hopped on board over the last couple weeks! It’s nice to have you.

Here’s an awesome and odd little book to kick off the new year:

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by Jon Chad

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I promise not to use bad puns like, “This book rocks!” or “Perfect for kids who don’t take science for granite!”

Much like another favorite, Sky High, Leo Geo uses size and scale in such an unusual way. Telling a story about a journey through the center of the earth calls for a different visual method than the standards we are used to.

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So flip it 90 degrees and read top to bottom. Of course! Its width (or lack thereof!) perfectly frames the skinny tunnels and canals through which our ‘surface man’ drills.

And just when you get to the center, flip it 180 degrees and read bottom to top as you emerge with him to the other side of the world.

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Throughout the entire journey, Leo Geo narrates his trip with a good healthy dose of science. You’ll get reminders of the difference between stalactites and stalagmites, what  makes up the continental and oceanic crusts, and how many miles you would have to travel before reaching the core.

Even though his voice is conversational and funny, every once in a while you might run into a Quadclops or find a magic dagger. I love that this book becomes a spectacular combination of nonfiction and comic book.

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By using only black and white, the reader gets to fill in the blanks and let their imagination run wild. The contrast between the whites of the tunnels and the black hash marks of piles and piles of fossils provide a very satisfying balance. The art is so intricate that I imagine a young reader (or an old one!) could pore over these pages for hours.

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So yeah. This book rocks.

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Boy + Bot

words by Ame Dyckman + pictures by Dan Yaccarino

{Why yes, they ARE a match made in heaven!}

Boy + Bot is an endearing tale of friendship between a charming and unlikely duo. Their generosities to one another when the other is broken will turn you into a puddle awwwww mush on the floor.

The #spotbot crew on Twitter is probably still mopping themselves up. We ADORE this book. And darn if Ame Dyckman isn’t the most likable gal at the party!

In design, size can be used to give extra weight or value to one element versus another. If shapes on a page are too uniform in size, they compete for your attention. Think of a checkerboard. Which square do you look at? But think of the American flag. The long stripes and the smaller stars differ in size and scale, and your eye can move around that icon a bit more freely and with less confusion.

So small Boy and his much larger Bot create a dynamic duo. Boy’s bitty-ness and Bot’s bigger-ness gives an interesting visual edge to their friendship. Sure, this is slightly different than a true graphic design principle at work, but the same idea feels really satisfying in their characterization. Even on the cover, the word Boy and the word Bot nod to their sizes by using different weights of the same typeface.

Their kooky friendship fits perfectly into this comic or storyboarded style of layout. Note even here, the different sizes of illustrations on one spread.

This might be one of my favorite back covers ever. I do love the reflection, {found on this cover as well,} but come on….the barcode on Bot’s behind? Impossible not to love. Enjoy this one with your BFF.

Will you love it? “AFFIRMATIVE!”

An ABC Of What Art Can Be

{written by Meher McArthur; pictures by Esther Pearl Watson; designed by Catherine Lorenz}

This little gem came straight from the home of Van Gogh’s Irises: The Getty. If you are an art teacher {ahem, essbee…} or an art lover {ahem, YOU!}, you should probably get your hands on this book.

It’s a jaunt through the alphabet with a celebration of art at every single page. Each spread has a unique style, so each page turn is incredibly satisfying. Kudos to the art explaining the art!

The size of this book is striking. It’s long and skinny (and hard to get a photo of!) which is refreshing and eye catching. And shape…can you see (sort of!) the heart in the negative space of the hands? What a perfect image to correspond to the text: “making all sorts of things with the hands and the heart.” {PS: What does it say about me that I thought of the Justin Bieber heart/hand/sign thing when I saw this for the first time? Maybe don’t answer that. Never say never.}

And the texture varies from page to page, but it is used masterfully. I love the paper cutouts on this illustration. Doesn’t it look like the slightest wave of a hand would rip those green trees right off the page? Beautiful.

Naturally, a book about art gets the art absolutely right, but I was especially excited by the typography. Typography isn’t one of the elements of design, but it is an integral part of cohesive, stunning, and successful design.

An ABC of What Art Can Be uses a hand drawn typeface.

I love this as a design choice because it supports the handmade and organic processes of art that are highlighted in the book. While any number of typefaces could have been lovely, one with an imperfect quality really enhances the pictures.

And a fun bonus at the end…arts and crafts and tips for creating your own masterpieces at home. Cool.

While definitely an untraditional choice for me story wise, this book has EVERYTHING I love…pretty pictures, fun words, vibrant colors, and a whole heck of inspiration.

 

There Was an Old Lady Who Swallowed a Fly

It’s no secret how this story ends. You’ve heard it a million times. But have you ever seen look this remarkable?

Jeremy Holmes is the graphic designer behind this book, and it’s so much fun to hold.

It’s tall and thin, so even before you get to the story, you are already experiencing this book in such a fresh way. This book showcases many elements of design beautifully, but I would consider size one of the highlights because it is so immediately striking.

The middle third of the book contains the pages of the story, so the entire story is framed by the little old lady’s spindly stocking feet and all knowing eyes. And again, you know how her story ends, right? At the close of the last page, her eyes shut as well. Kinda ingenious.

Jeremy Holmes’ collages are both warm and kooky thanks to his textures and color palette. His imagination tells a familiar story in a fresh way. And it’s just plain fun to hold this book, turn the pages, and even laugh at her untimely end.

Love the shout out on the back cover to book design as well as illustration!

{This trailer is a tad slow and perhaps even creepy, but it’s a really lovely look at some of Holmes’ illustrations in There Was an Old Lady Who Swallowed a Fly.}

The Dot and the Line: A Romance in Lower Mathematics

by Norton Juster, who rocks a fishing vest with mad style. How do I know? I saw him in person:

…and had him sign this smart love story for my own love story. When you are part of a couple who prioritizes Jeopardy! and does math problems on diner napkins for fun, this book matters.

Once upon a time there was a sensible straight line who was hopelessly in love with a dot.

Our hapless line jumps through hoops and over hurdles to impress his round red love. Each page is visually stunning; this book reads like a master class in graphic design.

This line, nothing but a straight series of points, becomes a very loud, larger than life character. A simple horizontal line becomes a celebrated daredevil or an international sportsman.

Likewise, the flirty red dot is just as zesty and appealing. It’s JUST a red circle, but Norton Juster characterized her so brilliantly that a simple shape becomes larger than life.

Soon, you are entirely wrapped up in the love story between a dot and a line. A dot. And a line. Two basic graphic elements.

You marvel at the line’s ingenuity,

his vision,

and his dedication.

But does he get the girl and complete his equation?

If the animated endpapers are any consideration, I’d bet on a happy ending.

This MGM animated short from 1965 is such a fun adaptation of Norton Juster’s work, and won that year’s Academy Award for Best Animated Short Film. In the spirit of this Hollywood awards season and because Valentine’s Day is fast approaching, spend 10 minutes celebrating the love of a dot and a line. You’ll love it.