The Monstore and a conversation with Tara Lazar and James Burks

monstorebreakermonstorefrontcover

words by Tara Lazar, pictures by James Burks

{published (TODAY!) 2013, by Simon & Schuster}

I have been looking forward to this book for a very, very, very long time. As long as it took Manfred to grow into a big old red monster from just a wee thing. (And once you know him you will assume like me that it took days and years and eons for that to happen.)

You see, Tara is one of those insta-friends. We’ve never met in real life, but she better prepare for a crushing hug of love once we do.

And in celebration of this grand opening, I went straight to the source. And so for you, enjoy this conversation with the creators of The Monstore. But beware…

NO RETURNS. NO EXCHANGES.

breaker

carter

Who did you create first, the kids or the monsters? James

The one thing I was most excited about with this project was getting to draw monsters. As soon as I got the email from Simon and Schuster asking me to do the book I started sketching out pages and pages of monsters of various sizes and shapes in my sketchbook. Then I ended up going back and picking out the ones that I thought best represented Manfred, Mookie, and Mojo. The rest ended up being the background characters.

After that I designed the kids and the manager. The manager was probably the toughest because I had a different idea as to what I thought he should look like and the publisher had another. I originally pictured him being much bigger so that he could keep all the monsters in line but the publisher wanted something different so I ended up going in the opposite direction and making him small. I think he turned out great. He’s a great character. Kind of mysterious.

Tara

And the way that James drew the manager, it gave me an incredible idea for a sequel. But I may be getting ahead of myself.

carter

How long did it take to arrive at your style for the illustrations? 

James

It didn’t take long to come up with the style for the book. It’s pretty much the way that I draw and design characters. The textured coloring was something that I had just started experimenting with because I wanted the book to look more picture-booky and less comic book style. I ended up creating some custom brushes in photoshop that gave me a nice textured effect and I left off most of the outlines so it felt more painted.

Tara

To me, the illustrations have a cool 3-D effect that I’ve not seen in other picture books. It’s just one of the things that makes THE MONSTORE unique.

{Carter here. Here’s a great example of that 3-D effect Tara mentioned. See how Manfred is busting out of that frame?! He can’t be contained!}

carter

Do you have any favorite moments in the book?

James

I’m pretty happy with all the pages. There are so many great moments and things happening. It was a fun project to work on for sure. One of my favorite pages in the book is where the monsters are crammed inside the house. There are just so many fun things happening on that page. One monster flying a underwear kite, another eating the tree, and a third tossing a roll of toilet paper out the window. It’s contained chaos.

Keep your eyes peeled for the little eyeball character I named “Peepers,” he tends to hide in various places through out the book.

Tara

It was so cool when James told me he names all the characters he draws, not just the three monsters I mention in the text. It helps him to give each monster a distinct personality. So when my girls and I got the book, we started naming every monster. There’s a girly balloon monster they named “Kiki” and a monster who looks like he has buttons up his chest, so my youngest calls him “Elevator”. I think they are more creative than I am! My girls were also better at spotting “Peepers” hidden on the pages than I was!

breaker

This book is a fun house! You won’t know if you’re walking right side down or upside up. The colors will leap off the page and super soak your brain. It’s vibrant, funny, and a heck ton of surprising. James’ illustrations are the perfect complement to Tara’s wacky words, and you should put this in your nightly rotation pronto.

And maybe knock five times under the last box of sour gum balls at your local candy shoppe. You just might find The Monstore!

Also? I LOVE that the title on the spine is written from the top down. Three cheers for fewer library shelf-induced neck cricks. Am I right?!

BUT WAIT THERE’S MORE!

Do you want a copy of this?! (Answer: YES.) Well, great, cause I’m giving a copy away! Just leave a comment on this post by Tuesday, June 11th at 12:00 PST, and I’ll draw a winner!

And if you can’t wait to play the odds, check this opportunity out! If you call Tara’s local indie (908-766-4599)to purchase a copy, they’ll ship it out to you signed and personalized!

{The cover image at the top of the post links to IndieBound, and Tara wrote an awesome post about other places to get The Monstore here.}

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Some Odds and Ends

I tweeted this recently. THE COOLEST BACK COVER EVER. (It’s Boy+Bot by the fabulous Ame Dyckman and Dan Yaccarino!)

Remember that Carpe Read’em shirt?

And you know Tara Lazar, author extraordinaire, right?

Please read this. And if you need a warning, I coughed coffee onto my computer as I read it, so there you go.

AND!

I’m still on a bit of a This Is Not My Hat high, and way enamored by this article. Fascinating read!

And one more thing. Check out Matthew Cordell’s blog post highlighting his use of the gutter in his latest release, Hello! Hello!

That’s it for now. Happy Tuesday!